![]() ![]() Should the soul have been destroyed before reaching its respective underworld, the body would eventually perish. ĭuring the Age of Gods, in which the existence of underworlds were prevalent, there was a separation between "physical death" and "spiritual death." It was possible for a soul to be taken from the body and later returned so long as the body was preserved, viewed as a type of medical treatment in some cultures. There are numerous accounts of people who saw their ancestors engaged in an identical way of life in identical locations after death. In fact, the tombs of pharaohs, emperors, and the like are themselves rituals to carry a city with them to the Underworld. There are any number of Underworlds that resemble the living world. For example, the ancient Mesopotamian Kigal is vastly different from the Valhalla of the Norse. The difference of the name by which the Underworld is called changes what meaning it has. Whether they were pharaohs, kings, or emperors, they did not think that death was the end. Valuable funerary objects, as well as countless figurines of soldiers, were placed there precisely for this reason. Because graves were the underworld itself, they were their new palaces and fortresses built to continue their conquest. For this reason, kings and other influential people all over the world would build mausoleums. Graves were a way of giving a form to this underworld, a tiny, separated land of the dead. ![]() In those eras, where it was very difficult to cross an ocean, even the land of the dead seemed closer than the other end of a sea, both psychologically and physically. In the Age of Gods, the land of the dead was much closer to the living than it is in modern times. They clearly set it apart from the world of the living and gave names like the underworld: this meant that death was no longer the end, but a new beginning. So, to suppress this fear, they defined what the world would be like after death. DevelopmentĪ different version of Sun Wukong from the World of GUDAGUDA appeared in Koha-Ace several years before Proper Human History Wukong debuted.Since the beginning of time, humans have feared death. ![]() The area hit by the staff has the space around it fixed in place by Wukong's Authority, creating a solid block of air that pins the opponent in place. A Noble Phantasm that held a Texture in place, just like the Holy Spear Rhongomyniad. It's an item originally made to give form to what is vague. Before Wukong turned the Ruyi Jingu Bang into a weapon, it was a pillar holding together the bottom of the ocean. His Noble Phantasm is Ruyi Jingu Bang (如意金箍棒 ?). Sun Wukong gained fame for defeating ninety-six demons, and is said to be the equal of Nezha. The female Ritsuka Fujimaru dresses as Sun Wukong in the Craft Essence "The Classic Three Great Heroes", and the male Fujimaru does in the Craft Essence "Go West!!". Xuanzang mentions him often in Fate/Grand Order, as well as Nezha's wish being to have a rematch with him. The Wandering Sea spell Ruo shot Ergo with sealed Wukong completely, so Ergo couldn't load his Divine Core, but he could still use the Phantom Hands just fine. As he remembers Wukong's battle-crazed personality from the stories, Ergo is swallowed by the flames. Inside his mind, Ergo sees Wukong berserking in the middle of a red ocean with bursts of flame instead of waves. When Ergo is battling Bai Ruolong Wukong forcibly activates his Noble Phantasm Ruyi Jingu Bang from within Ergo, freezing Ruo in place within solidified space. When Ergo realizes that Sun Wukong is one of the gods inside of him, Wukong appears in the middle of a lake within Ergo's mind and tells him that he is correct. One of these gods was Sun Wukong, and Ergo gained Wukong's abilities. Long ago, as part of a collaborative effort between Wuzhiqi of the Summit Court, the Crudelis family of Atlas, and Ziz of the Wandering Sea, Ergo devoured the flesh of three gods and imbued their factors inside himself. Sun Wukong loves battle, sometimes entering a berserker state when in combat. Sun Wukong has fiery eyes with golden pupils. The Xian Wuzhiqi is considered a prototype of Sun Wukong due to them sharing major attributes. He is a water god referred to as the Handsome Monkey King of the Waterfall. During his adventures, he was punished by Shakyamuni, reaching the "edge of the world" only to find that it was Shakyamuni's palm. Known as the Great Sage Equaling Heaven (斉天大聖, Seiten Taisei ?), Sun Wukong was the disciple of Xuanzang, following her across India with his fellow disciples. 2.1 The Adventures of Lord El-Melloi II. ![]()
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